Previous events: June 2008
Tunbridge Wells Museum and Art Gallery

SMALL MUSEUMS VISIT 13 June 2008
Study Day, Saturday 11th February 2006
Tunbridge Wells Museum and Art Gallery

The core of Tunbridge Wells Museum’s costume collection was acquired during the 1950s by its dedicated curator, Edith Bradley. Now the collection boasts 7,500 pieces including textiles. The cramped museum premises has one costume case for display with a maximum of six costumes on show at any one time. The rest is in store. It was to see some of these stored treasures that members of the Costume Society travelled to the town one sunny day in June.

The discovery of the Chalybeate Spring in 1606 was fundamental in the birth of Tunbridge Wells and its subsequent development as a favoured resort of the gentry and royalty during the seventeen and eighteenth centuries. Many of the donations to the Museum have come from the families of people who settled in the fashionable town and formed the town’s character and reputation as a pleasant place to live, work and visit.

After projecting images of the star pieces of the collection, Jo Wiltcher, acting Museum Manager and Lindsay Speight, Visitor Services Assistant whisked off the protective covering from the dozen or so items they had selected for us to see. White gloves were distributed and members were free to examine at will. Jo explained that the collection includes many very beautiful evening gowns including a good collection of beaded dresses from the 1920s. Unfortunately for the curators, the donations arrived with very little information. One wedding dress is thought, stylistically, to date from 1740 although the donor stated it was worn in 1797. Costume society members conjectured that the 1797 bride might have been wearing her grandmothers hand-me-down.

Jo Wiltcher of Tunbridge Wells Museum with 1740’s Wedding Dress

Jo Wiltcher of Tunbridge Wells Museum with an unusual black silk gentleman's embroidered waistcoat

Menswear was represented by a good collection of embroidered waistcoats from the Georgian and Regency period, including one unusual black silk example. We were then thrilled to see in the storage box, at least a dozen other examples. Childrenswear, rural workwear, corsets and other structural wear are all represented in the collection and the museum keeps up to date with 2lst century underpinnings by way of Wonderbra. Tunbridge Wells is yet another example of a small town museum with limited display space yet safeguarding its social history with a distinctive collection of clothing reflecting the fashions of its colourful past.

It was a pleasure to visit the town and thanks must go to Imogen Stewart for arranging the visit and Jo and Lindsey at the Museum for giving up so much of their time to ensure that we went away with a lasting impression of the wealth of costume history being cared for by one of our smaller museums.